Spring 2024: Volume 71, Number 1
FICTION
We Can Hear Her Singing by Sean Padraic McCarthy
Origin & Destiny of Individual Souls by Emily Jones
Tomo’s Birthday by Samuel Liu
Encaustic Media by Nat Wisehart
Giving by Jane Ozkowski
In Small Boxes by Zahid Rafiq
Bridge by Daniel Hornsby
Fever to Tell by Adalena Kavanagh
She Used to Steal Horses by Terek Hopkins
His Tenure at the Hammer Refinery Institute for Gifted Boys by Sebastian Castillo
ESSAYS
Self Control by Rebecca Swanberg
Argos by Valer Popa
Hephaestus by Gabriela Denise Frank
For Antonio Biggi by Josh Russell
The Middle Ages by Catherine Nichols
COMIC
The Wicked Oracle by Sara Lautman and Jason Novak
POETRY
Auxesis, Aporia / On the Failure of Babel and Apeirogon by O-Jeremiah Agbaakin
The Sky by Shannan Mann
Gray, White-Spotted Horses by John Whalen
A Trumpet by G. C. Waldrep
Untitled 73 and Untitled 75 by Natsume Sōseki, Translated by Ryan Choi
Science and Technology by Ali Asadollahi, Translated by Amir Ahmadi Arian
The Age of Discovery, The Dead Sea and As a Side Note to a Side Note in the History by Chanda Feldman
Rescue by Theodore Worozbyt
Sestina: Last Days, Highland and Aloft by Ed Skoog
San Quentin, Confessionalism, 2010 and Raised by the Grace of God by Sylvia Chan
Dr. Martin Luther King, Jr. at Santa Rita Detention Center, January 1968 by Hunt Hawkins
Theories by Caleb A. P. Parker
Flirtation Between Mahogany and a Claw Hammer by Diepreye
Margin of Error: a Glose after “Mon Semblable” by Stephen Dunn by Elizabeth Hazen
COVER ART
lazy dork working (from the series “Confinement”), 2020, acrylic painting, 41.5 cm x 59 cm, by Émilie Gleason